Please use this identifier to cite or link to this item:
https://hdl.handle.net/2440/114169
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Type: | Journal article |
Title: | Love and violence in the music of late modernity |
Author: | Barclay, K. |
Citation: | Popular Music and Society, 2018; 41(5):539-555 |
Publisher: | Routledge |
Issue Date: | 2018 |
ISSN: | 0300-7766 1740-1712 |
Statement of Responsibility: | Katie Barclay |
Abstract: | Using evidence from popular music, this article highlights how contemporary definitions of love combine ideas about the modern self as autonomous and distinct with an emphasis on the importance of sacrifice and devotion to the achievement of successful relationships. The tension between these concepts is manifested in ambivalence to love, with pain, conflict, and violence reoccurring features within popular music. This article argues, that as love is not just a feeling but implicated in structuring intimate behaviors, this understanding of love leads to the naturalizing of conflict and violence in modern relationships. |
Description: | Published online 21 Sep 2017 |
Rights: | © 2017 Informa UK Limited, trading as Taylor & Francis Group |
DOI: | 10.1080/03007766.2017.1378526 |
Grant ID: | http://purl.org/au-research/grants/arc/DE140100111 http://purl.org/au-research/grants/arc/DE140100111 |
Published version: | http://dx.doi.org/10.1080/03007766.2017.1378526 |
Appears in Collections: | Aurora harvest 3 History publications |
Files in This Item:
File | Description | Size | Format | |
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hdl_114169.pdf | Accepted version | 624.87 kB | Adobe PDF | View/Open |
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