Please use this identifier to cite or link to this item: http://hdl.handle.net/2440/48397
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dc.contributor.authorGao, J.en
dc.contributor.authorPugsley, P.en
dc.date.issued2008en
dc.identifier.citationChina Information, 2008; 22(3):451-476en
dc.identifier.issn0920-203Xen
dc.identifier.issn1741-590Xen
dc.identifier.urihttp://hdl.handle.net/2440/48397-
dc.description.abstractAlthough China’s institutional campaign against the Falun Gong has been closely observed and analyzed, researchers have failed to take note of the subversive power of satire utilized in the comic theatrical skits (xiaopin) of popular comedian Zhao Benshan to ridicule the Falun Gong. This exemplifies the Chinese Communist Party’s long-established political practice of “educating the masses.” Based on an analysis of what are now commonly referred to as “Zhao Benshan xiaopin” and their perceived impact on the Falun Gong issue, this article examines how satirical power in post-Deng Chinese politics has been employed, and it outlines the key features of the practice. This article reviews the use of satire as a political weapon in contemporary Chinese politics, before turning to focus on four relevant Zhao Benshan xiaopin and the way in which they create popular metaphors for propagating official views in the anti-Falun Gong campaign.en
dc.language.isoenen
dc.publisherSage Publications Ltd.en
dc.subjectsatire; xiaopin; Chinese television; Falun Gong; ideology; state campaignsen
dc.titleUtilizing Satire in Post-Deng Chinese Politics: Zhao Benshan Xiaopin vs. The Falun Gongen
dc.typeJournal articleen
dc.identifier.rmid0020083259en
dc.identifier.doi10.1177/0920203X08096793en
dc.identifier.pubid41567-
pubs.library.collectionMedia Studies publicationsen
pubs.verification-statusVerifieden
pubs.publication-statusPublisheden
dc.identifier.orcidPugsley, P. [0000-0001-7633-8575]en
Appears in Collections:Media Studies publications

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