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https://hdl.handle.net/2440/78069
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Downey, G. | - |
dc.date.issued | 2012 | - |
dc.identifier.citation | together < > apart: Art Association of Australia & New Zealand Annual Conference 12–14 July 2012, University Of Sydney, National Art School, Art Gallery of New South Wales: pp.19 | - |
dc.identifier.isbn | 9780987346902 | - |
dc.identifier.uri | http://hdl.handle.net/2440/78069 | - |
dc.description.statementofresponsibility | Georgina Downey | - |
dc.language.iso | en | - |
dc.publisher | AAANZ | - |
dc.rights | © Copyright 2012 | - |
dc.source.uri | http://aaanz.info/wp-content/uploads/2012/12/conference_2012.pdf | - |
dc.title | Networks of connection in bathroom imagery in the early 20th century: Stevens, Degas and Bonnard | - |
dc.type | Conference paper | - |
dc.contributor.conference | Art Association of Australia and New Zealand Conference (2012 : Sydney, N.S.W.) | - |
dc.publisher.place | Australia | - |
pubs.publication-status | Published | - |
Appears in Collections: | Aurora harvest 4 History publications |
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